This book presents a series of dialogues between artists Carl Andre and Hollis Frampton, recorded between 1962 and 1963. The exchanges capture the nascent stages of conceptual art and minimalist sculpture, exploring the theoretical underpinnings and practical considerations of their developing practices. The dialogues offer a direct window into the minds of two influential figures as they grappled with the definition and future of art.

This collection serves as a valuable primary source for scholars and enthusiasts of conceptual art and minimalism. The direct dialogues between Andre and Frampton offer an unmediated glimpse into their creative processes and theoretical discussions during a pivotal period in art history. The book is recognized for its directness and the historical significance of the conversations it preserves. Its value lies in providing direct access to the artists' own words as they shaped new artistic paradigms.