This book provides the first truly international analysis of silent feature films, examining their stylistic, generic, and structural characteristics within their national, historical, and industrial contexts. The collection brings together a diverse group of internationally known scholars to reflect on the development of silent feature films between 1914 and 1934. It focuses on fifteen feature-length silent films and two silent serial features, arranged chronologically and illustrated with frame stills. The essays offer detailed accounts of films produced in various countries during this period, with a particular emphasis on films that are well-known but have rarely been discussed in depth.

The collection is designed to appeal to both scholars and students of film history, as well as general readers interested in the subject. The international scope of the analysis aims to provide a comprehensive overview of silent feature films. By focusing on under-discussed yet significant films, the book offers new perspectives on a crucial period in cinematic development. The inclusion of frame stills and chronological organization enhances its accessibility and educational value.