This collection investigates the breadth of Max Beerbohm's satirical and parodic verse, seeking to preserve his lesser-known poetic contributions within the context of his broader literary career. J.G. Riewald, a recognized authority on Beerbohm, compiles 138 poems, including previously unpublished and uncollected works, to offer a definitive look at the author's creative output. The volume utilizes historical and biographical commentary to contextualize these verses, framing them against the backdrop of Beerbohm's life and his reputation as a master of parody.

The volume is regarded as a definitive scholarly resource for those studying the intersection of parody and caricature in early 20th-century British literature. Its inclusion of previously unavailable material makes it a necessary reference for specialists and researchers focusing on Beerbohm's stylistic evolution.