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In a period when access to fine paintings was restricted, Stubbs's reputation was spread chiefly through his engravings. This catalogue raisonné is the only single volume to contain all Stubbs's known engravings and provides a complete record of prints made by others after his works. Introductory essays consider Stubbs's relationships with other artists, particularly his engravers, and examine how the prints were originally marketed.Part 1 covers the more important prints issued during Stubbs's lifetime, some of which are published here for the first time. Each of the 218 entries is fully illustrated and accompanied by comparative material.Part 2 comprises 440 supplementary entries and indicates the nature and extent of Stubbs's posthumous reputation.This book also is the first substantial review of the work of a major 18th century British painter by reference to the important, but neglected, medium of reproductive prints.
This catalogue raisonné investigates how the reproductive print medium served as the primary vehicle for George Stubbs's artistic reputation in 18th-century Britain. The authors, Christopher Lennox-Boyd, Rob Dixon, and Tim Clayton, utilize extensive archival research and visual analysis to document the relationship between the painter and his engravers. By compiling a comprehensive record of both lifetime and posthumous prints, the text argues that these reproductive works were essential to the dissemination of Stubbs's aesthetic influence during a period of restricted access to original paintings.
What You Will Find
The subject matter points to a specialized, high-density reference text intended for art historians, curators, and serious collectors of 18th-century British art. The framing suggests a definitive scholarly resource that fills a significant gap in the study of reproductive printmaking as a commercial and artistic medium.
Page Count:
0
Publication Date:
1989-01-01
Publisher:
Stipple
ISBN-10:
0000304050
ISBN-13:
9780000304056
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