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With ongoing debates on Scottish independence, immigration, Britain's place in the EU, multiculturalism, national identity and the specter of a past Empire complicating ethnically-defined notions of "Britishness," the Kingdom seems far from United. As a cultural force that is often discussed as giving voice to the voiceless and empowering marginalized communities, hip-hop has become a space in which to explore and debate these issues-defining global community while celebrating locality. In Brithop, author Justin A. Williams finds new hope in an often-neglected figure: the British rapper. Through themes of nationalism, history, subculture, politics, humor and identity, Brithop explores multiple forms of politics in rap discourses from Wales, Scotland and England. Featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle, Williams investigates how rappers in the UK respond to the "postcolonial melancholia" of post-Empire Britain. Brithop shows a rich, multifaceted cultural reality reflective of both the postcolonial condition of the UK and the importance of localism within its varying cultures.
This book investigates how British rap functions as a critical site for negotiating national identity, postcolonial politics, and localism in the 21st century. Justin A. Williams, a scholar of musicology, utilizes a multidisciplinary framework to analyze how artists across England, Scotland, and Wales articulate their experiences within a shifting political landscape. By examining lyrical content and cultural discourse, the author argues that British hip-hop provides a necessary platform for addressing the complexities of post-Empire identity and multiculturalism.
What You Will Find
Scope Limits
Scholars and music critics identify this work as a significant contribution to the study of global hip-hop and British cultural politics. Readers frequently note the academic density of the prose, which effectively bridges the gap between musicology and political science.
Page Count:
240
Publication Date:
2020-01-01
Publisher:
Oxford University Press
ISBN-10:
0190656832
ISBN-13:
9780190656836
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