
In Renegotiating French Identity, Jane Fulcher addresses the question of cultural resistance to the German occupation and Vichy regime during the Second World War. Nazi Germany famously stressed music as a marker of national identity and cultural achievement, but so too did Vichy. From the opera to the symphony, music did not only serve the interests of Vichy and German propaganda: it also helped to reveal the motives behind them, and to awaken resistance among those growing disillusioned by the regime. Using unexplored resistance documents, from both the clandestine press and the French National Archives, Fulcher looks at the responses of specific artists and their means of resistance, addressing in turn Pierre Schaeffer, Arthur Honegger, Francis Poulenc, and Olivier Messiaen, among others. This book investigates the role that music played in fostering a profound awareness of the cultural and political differences between conflicting French ideological positions, as criticism of Vichy and its policies mounted.
This book investigates how music functioned as a site of cultural resistance and ideological negotiation within France during the German Occupation and the Vichy regime. Jane F. Fulcher, a scholar of French music and culture, utilizes primary source documents from the French National Archives and the clandestine press to analyze the intersection of artistic expression and political dissent. She argues that music served not only as a tool for propaganda but also as a medium through which artists articulated opposition to the Vichy regime's policies.
What You Will Find
Scope Limits
Scholars and historians recognize this work as a significant contribution to the study of cultural politics in occupied France. Readers frequently note the academic density of the prose and the depth of the archival research presented by the author.
Page Count:
600
Publication Date:
2018-01-01
Publisher:
Oxford University Press
ISBN-10:
0190681519
ISBN-13:
9780190681517
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