Non, the curator of a museum located in the afterlife, attempts to secure his release from Purgatory by documenting the lives of various artists and collectors. Tasked with assembling a collection of souls and their artifacts, Non navigates the surreal landscape of the afterlife while grappling with the existential weight of his own history. The narrative unfolds through a non-linear, multi-media framework that blends personal reflection with the analysis of the objects he gathers. As he interacts with the inhabitants of this liminal space, he faces the logical constraints of a reality where memory and physical form are fluid and often unreliable.

This work is characterized by its highly visual and experimental approach to storytelling, which prioritizes atmosphere and aesthetic immersion over traditional plot progression. The narrative structure suggests a deliberate attempt to blur the lines between reality and artifice, forcing the reader to engage with the text as a physical object. The surrealist elements and the focus on the curator's internal state point to a reading experience that is meditative and visually demanding. The book likely appeals to those interested in the intersection of graphic design and literary fiction, as the visual components are integral to the unfolding of the story.