This work serves as a critical edition and performance score for Francesco Maria Veracini's Sonata Prima, investigating the technical and stylistic requirements of the Baroque sonata form. The author provides a structured musical text intended for professional and student performers, focusing on the ornamentation, phrasing, and harmonic realization characteristic of the early 18th-century Italian school. By presenting the score for both flute and violin, the text addresses the historical flexibility of instrumentation during the period.

Musicians and musicologists frequently cite this edition for its clarity and adherence to standard Baroque performance conventions. Experts highlight the utility of the provided piano reduction for both rehearsal and concert settings.