
At Home In Our Sounds Illustrates The Effect Jazz Music Had On The Enormous Social Challenges Europe Faced In The Aftermath Of World War I. Examining The Ways African American, French Antillean, And French West African Artists Reacted To The Heightened Visibility Of Racial Difference In Paris During This Era, Author Rachel Anne Gillett Addresses Fundamental Cultural Questions That Continue To Resonate Today: Could One Be Both Black And French? Was Black Solidarity More Important Than National And Colonial Identity? How Could French Culture Include The Experiences And Contributions Of Africans And Antilleans? Providing A Well-rounded View Of Black Reactions To Jazz In Interwar Paris, At Home In Our Sounds Deals With Artists From Highly Educated Women Like The Nardal Sisters Of Martinique, To The Working Black Musicians Performing At All Hours Throughout The City. In So Doing, The Book Places This Phenomenon In Its Historical And Political Context And Shows How Music And Music-making Constituted A Vital Terrain Of Cultural Politics--one That Brought People Together Around Pianos And On The Dancefloor, But That Did Not Erase The Political, Regional, And National Differences Between Them.
How did jazz music function as a site of cultural and political negotiation for Black artists in interwar Paris amidst the social upheaval following World War I? Rachel Anne Gillett, a historian specializing in modern European history and cultural politics, utilizes archival research and cultural analysis to argue that jazz served as a complex terrain where racial identity, national belonging, and colonial politics intersected. The book examines how diverse Black performers navigated the visibility of racial difference while attempting to reconcile their identities within the French cultural landscape.
What You Will Find
Scope Limits
Scholars and historians recognize this work as a nuanced contribution to the study of the Black Atlantic and French colonial history. Readers frequently note the academic rigor of the prose and the author's ability to synthesize complex political questions with the lived experiences of musicians.
Page Count:
272
Publication Date:
2021-01-01
Publisher:
Oxford University Press
ISBN-10:
0190842717
ISBN-13:
9780190842710
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