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The much anticipated novel from the critically acclaimed author of Giving Up the Ghost and A Place of Greater Safety. There's something nasty at the heart of Britain. The earth is radioactive waste is washing into the water supply, and Japanese knotweed is choking the grasslands. Ghastly housing estates are proliferating across the Home Counties and terrorists are hiding in the ditches. This is Britain at the end of the last century and at the birth of the new. Alison knows what is coming. She foresees the death of Princess Diana (an annoying presence who is just as confused on the other side as she was on this). Alison foresees the coming down of the twin towers. Alison Hart is a medium by dead people talk to her and she talks back. With her flat-eyed, flint-hearted sidekick, Colette, she tours the dormitory towns of London's orbital road, passing on messages from dead 'Granny says she likes your new kitchen units.' But there are messages that Alison must keep to herself. Alison's ability to communicate with spirits is a torment rather than a gift. Behind her plump, smiling and bland persona is a desperate woman. She knows the next life holds terrors that she must conceal from her clients. Her days and nights are haunted by the men she knew in her childhood, the thugs and petty criminals who preyed upon her hopeless, addled mother. As the spirits become stronger and nastier it becomes clearer that there are terrible secrets about to be revealed. Who is Alison? Why is she so keen to perform a good deed in a desperate world? What terrible thing was it that she did as a child? Why is she drawn to the cutlery drawer even now? This is Hilary Mantel's tenth novel and her first for six years. Beyond Black is an hilarious and deeply sinister story of dark secrets and dark forces, set in an England that jumps at its own shadow, a country whose banal self-absorption is shot through by fear of the coming, engulfing blackness.
Alison Hart, a professional medium haunted by the spirits of her traumatic past, struggles to maintain a facade of normalcy while navigating the bleak, suburban landscape of late 20th-century Britain. As she tours the dormitory towns with her cynical assistant Colette, Alison attempts to provide comfort to clients through mundane spiritual messages, all while suppressing the encroaching, malevolent entities that threaten to expose her own buried history. The narrative, presented through a third-person perspective, shifts between the banality of modern life and the visceral, terrifying intrusions of the afterlife. Alison’s objective is to survive the psychological weight of her gift and the physical threats posed by the ghosts of her childhood, forces that mirror the societal decay and anxiety of the era.
Beyond Black is widely recognized for its sharp, unflinching examination of the intersection between the mundane and the macabre. Critics have frequently highlighted Mantel’s ability to balance grotesque humor with a profound sense of existential unease. The novel is often cited for its complex characterization of Alison, whose internal life is rendered with a precision that makes her supernatural experiences feel disturbingly tangible. Readers and reviewers alike have noted the book's effectiveness in capturing the specific, anxious atmosphere of Britain at the turn of the millennium. The work remains a significant entry in Mantel's bibliography for its stylistic boldness and its refusal to offer easy resolutions to its central mysteries.
Page Count:
464
Publication Date:
2005-04-30
Publisher:
Harpercollins Pub Ltd
ISBN-10:
0007157754
ISBN-13:
9780007157754
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