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The Passage From Imperial Rome To The Era Of Late Antiquity, When The Roman Empire Underwent A Religious Conversion To Christianity, Saw Some Of The Most Significant And Innovative Developments In Western Culture. This Stimulating Book Investigates The Role Of The Visual Arts, The Great Diversity Of Paintings, Statues, Luxury Arts, And Masonry, As Both Reflections And Agents Of Those Changes. Jas' Elsner's Ground-breaking Account Discusses Both Roman And Early Christian Art In Relation To Such Issues As Power, Death, Society, Acculturation, And Religion. By Examining Questions Of Reception, Viewing, And The Culture Of Spectacle Alongside The More Traditional Art-historical Themes Of Imperial Patronage And Stylistic Change, He Presents A Fresh And Challenging Interpretation Of An Extraordinarily Rich Cultural Crucible In Which Many Fundamental Developments Of Later European Art Had Their Origins. This Second Edition Includes A New Discussion Of The Eurasian Context Of Roman Art, An Updated Bibliography, And New, Full Colour Illustrations.
This book investigates how the visual arts functioned as both reflections and active agents of the profound cultural and religious transformation from Imperial Rome to Late Antiquity. Jaś Elsner, a scholar of classical art and culture, utilizes a broad range of material evidence—including paintings, statues, luxury goods, and masonry—to analyze the shift toward Christianity. He argues that art during this period was not merely decorative but central to the negotiation of power, death, and social identity within a changing empire.
What You Will Find
Scope Limits
Scholars and students frequently cite this work as a significant contribution to the study of Late Antique visual culture. Experts highlight the text for its ability to bridge traditional art history with broader sociological and religious inquiries.
Page Count:
368
Publication Date:
2018-01-01
Publisher:
Oxford University Press
ISBN-10:
0191081094
ISBN-13:
9780191081095
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