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Strange Likeness Provides The First Full Account Of How Old English (or Anglo-saxon) Was Rediscovered By Twentieth-century Poets, And The Uses To Which They Put That Discovery In Their Own Writing. Chapters Deal With Ezra Pound, W. H. Auden, Edwin Morgan, And Seamus Heaney. Stylistic Debts To Old English Are Examined, Along With The Effects On These Poets' Work Of Specific Ideas About Old English Language And Literature As Taught While These Poets Were Studying The Subject At University. Issues Such As Linguistic Primitivism, The Supposed 'purity' Of The English Language, The Politics And Ethics Of Translation, And The Construction Of 'englishness' Within The Literary Canon Are Discussed In The Light Of These Poets And Their Old English Encounters. Heaney's Translation Of Beowulf Is Fully Contextualized Within The Body Of The Rest Of His Work For The First Time.
This book investigates how twentieth-century poets rediscovered Old English and integrated its linguistic and stylistic elements into their own creative work. Chris Jones, a scholar of English literature, examines the academic and cultural contexts that influenced major poets during their university studies. He argues that the encounter with Anglo-Saxon language served as a mechanism for these writers to explore themes of linguistic purity, national identity, and the ethics of translation.
What You Will Find
Scope Limits
Scholars and critics recognize this work as a significant contribution to the study of modernism and its relationship with medieval literary traditions. Readers frequently note the academic density of the prose, which provides a rigorous framework for understanding the intersection of philology and creative practice.
Page Count:
276
Publication Date:
2006-01-01
Publisher:
Ebsco Publishing
ISBN-10:
0191515507
ISBN-13:
9780191515507
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