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Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.
This text investigates how the rapid evolution of American art movements throughout the twentieth century mirrored the nation's shifting cultural identity and its rising influence on the global stage. Erika Doss, a professor of American studies, utilizes a socio-historical framework to analyze the intersection of artistic production, institutional support, and public reception during the period known as the American century.
What You Will Find
Scope Limits
Scholars and students frequently cite this work as a reliable, accessible introduction to the complex landscape of American art history. Experts highlight the author's ability to synthesize broad cultural shifts with specific artistic developments, making it a standard text for undergraduate survey courses.
Page Count:
288
Publication Date:
2002-01-01
Publisher:
Oxford University Press
ISBN-10:
0191587745
ISBN-13:
9780191587740
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