This work investigates the origins and aesthetic significance of art produced by non-Western and prehistoric societies. Michael Batterberry utilizes his background in art history to synthesize a broad overview of creative expression across diverse cultures, arguing that these works represent fundamental human impulses rather than primitive precursors to modern art. The text provides a framework for understanding the symbolic and functional roles these objects played within their original contexts.

Experts recognize this volume as a standard introductory text for students of art history seeking a broad survey of non-Western traditions. Readers frequently note the accessible prose style, which balances academic observation with clear descriptions of visual elements.