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In God and Mystery in Words David Brown uses the way in which poetry and drama have in the past opened people to the possibility of religious experience as a launch pad for advocating less wooden approaches to Christian worship today. So far from encouraging imagination and exploration, hymns and sermons now more commonly merely consolidate belief. Again, contemporary liturgy in both its music and its ceremonial fails to take seriously either current dramatic theory or the sociology of ritual. Yet this was not always so. Imagery and hymns mattered, liturgial msic encouraged a sense of drama, sermons required rhetoric. In a characteristically stimulatling and inspiringly expansive study, that ranges from ancient Greek drama to modern poetry, from the meaning of the Logos to the history of vestments, David Brown pleads for a much wider focus on the kind of factors that aid experience of God.
This work investigates how the integration of poetry, drama, and imaginative rhetoric can revitalize contemporary religious experience and liturgical practice. Dr. David W. G. Brown, a scholar of theology and the arts, argues that modern Christian worship has become overly rigid and focused on the consolidation of belief rather than the cultivation of spiritual encounter. By examining historical precedents where art and ritual were deeply intertwined, he proposes a framework for reintroducing dramatic theory and aesthetic depth into the life of the church.
What You Will Find
Scope Limits
Scholars and theologians frequently note the expansive, interdisciplinary nature of Brown's research, which bridges the gap between historical aesthetics and modern liturgical practice. Experts highlight this as a significant contribution for those interested in the intersection of theology, performance theory, and the sociology of religion.
Page Count:
299
Publication Date:
2008-01-01
Publisher:
OUP Oxford
ISBN-10:
0191607894
ISBN-13:
9780191607899
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