This volume investigates the literary relationship and theological parallels between two prominent 17th-century metaphysical poets, George Herbert and Henry Vaughan. Louis Martz, a distinguished scholar of 17th-century literature, provides the editorial framework for this collection. By presenting their works in tandem, the text argues that Vaughan's creative output is deeply indebted to Herbert's influence, while simultaneously highlighting the distinct stylistic and spiritual voices of each poet within the context of their era's religious controversies.

Scholars and students of metaphysical poetry frequently cite this volume as a standard reference for comparing the thematic and stylistic intersections of Herbert and Vaughan. Experts highlight the editorial commentary as a helpful tool for navigating the complex religious and historical nuances present in the poets' work.