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In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama. Building on the RSC season, the volume offers methodologies for translation and communication that can feed the creative processes of actors and directors, while maintaining an ethos of fidelity with regards to the original texts. It argues that collaboration between academics and theatre practitioners was instrumental in the success of the season and that the work carried out has repercussions for critical debate of Comedia. The volume posits a model for future productions of the Comedia in English, one that recognizes the need for the languages of the scholar and the theatre artist to be made mutually intelligible by the use of collaborative strategies, mediated by a consultant or dramaturg proficient in both tongues. This model applies more generally to theatrical collaborations involving a translator, writer and director, and will be useful for translation and performance processes in any language.
How can the collaborative intersection of academic scholarship and theatrical practice improve the translation and performance of Spanish Golden Age drama for contemporary English-speaking audiences? Kathleen Jeffs, drawing upon her direct involvement with the Royal Shakespeare Company’s 2004-05 season, proposes a structured model for bridging the gap between textual fidelity and stage viability. By analyzing the specific challenges of the Comedia, the author argues that the role of a dramaturg or consultant is vital in translating linguistic nuances into performative action. The work advocates for a symbiotic relationship where scholars and theatre artists negotiate meaning to create productions that are both historically informed and theatrically effective.
What You Will Find
Scope Limits
Scholars and theatre practitioners recognize this volume as a significant contribution to the field of translation studies and performance theory. Readers frequently note the academic density of the prose, which serves as a practical guide for those interested in the intersection of literary research and stage production.
Page Count:
263
Publication Date:
2018-01-01
Publisher:
OUP Oxford
ISBN-10:
019255140X
ISBN-13:
9780192551405
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