
By taking a distinctively institutional approach, Catharine Abell provides a unified solution to a wide range of philosophical problems raised by fiction. In particular, she draws attention to the epistemology of fiction, which has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, yet few attempts have been made to explain how audiences identify their contents, or to identify the norms governing the correct understanding and interpretation of them. This book answers both metaphysical and epistemological questions concerning fiction in a way that clarifies the relation between them: What distinguishes works of fiction from works of non-fiction? What is the nature of fictive utterances? How do audiences identify the contents of authors' fictive utterances? How does understanding a work of fiction differ from interpreting it? This book develops the first single theory to provide answers to these questions and many more.
This book investigates the ontological and epistemological status of fiction by proposing a unified institutional theory to resolve long-standing philosophical inquiries. Catharine Abell, a scholar in the philosophy of art and language, utilizes an institutional framework to bridge the gap between how fiction is defined and how it is cognitively processed by audiences. By analyzing the norms of fictive utterances, the text provides a systematic approach to distinguishing fictional works from non-fictional ones while clarifying the mechanisms of interpretation.
What You Will Find
Scope Limits
Experts recognize this work as a significant contribution to the philosophy of language and aesthetics, particularly for its focus on the neglected epistemology of fiction. Readers frequently note the academic density of the prose, which is intended for scholars and advanced students of philosophy.
Page Count:
208
Publication Date:
2020-01-01
Publisher:
OUP Oxford
ISBN-10:
0192567268
ISBN-13:
9780192567260
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