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Art History Encompasses The Study Of The History And Development Of Painting, Sculpture And The Other Visual Arts. In This Very Short Introduction, Dana Arnold Presents An Introduction To The Issues, Debates, And Artefacts That Make Up Art History. Beginning With A Consideration Of What Art History Is, She Explains What Makes The Subject Distinctive From Other Fields Of Study, And Also Explores The Emergence Of Social Histories Of Art (such As Feminist Art History And Queer Art History). Using A Wide Range Of Images, She Goes On To Explore Key Aspects Of The Discipline Including How We Write, Present, Read, And Look At Art, And The Impact This Has On Our Understanding Of Art History. This Second Edition Includes A New Chapter On Global Art Histories, Considering How The Traditional Emphasis On Periods And Styles In Art Originated In Western Art And Can Obscure Other Critical Approaches And Artwork From Non-western Cultures. Arnold Also Discusses The Relationship Between Art And History, And The Ways In Which Art Can Tell A Different History From The One Narrated By Texts. About The Series: The Very Short Introductions Series From Oxford University Press Contains Hundreds Of Titles In Almost Every Subject Area. These Pocket-sized Books Are The Perfect Way To Get Ahead In A New Subject Quickly. Our Expert Authors Combine Facts, Analysis, Perspective, New Ideas, And Enthusiasm To Make Interesting And Challenging Topics Highly Readable.
This book investigates the fundamental question of what constitutes the discipline of art history and how its methodologies have evolved over time. Dana Arnold, a professor of architectural history, utilizes her academic expertise to deconstruct the traditional canon of Western art. She argues that art history is not merely a chronological study of styles, but a complex field shaped by social, feminist, and queer perspectives that challenge how we interpret visual culture.
What You Will Find
Scope Limits
Experts and students frequently identify this work as a foundational, accessible entry point for understanding the theoretical underpinnings of art history. Readers often note the academic density of the prose, which manages to condense complex historiographical debates into a concise, manageable format.
Page Count:
152
Publication Date:
2020-01-01
Publisher:
Oxford University Press
ISBN-10:
0192567691
ISBN-13:
9780192567697
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