This book documents the evolution of printmaking across Australia, Canada, and South Africa over a fifty-year period, coinciding with a major exhibition. It explores the artistic developments, key figures, and cultural contexts that shaped the printmaking landscape in these three nations, offering a comparative perspective on their distinct yet interconnected artistic trajectories.

This publication serves as a comprehensive catalogue for an exhibition dedicated to printmaking in Australia, Canada, and South Africa. The content focuses on the artistic and historical developments within these countries over five decades, likely appealing to scholars, collectors, and enthusiasts of contemporary print art. The comparative approach suggests an academic and curatorial perspective, aiming to highlight both national specificities and broader international trends in the medium. The exhibition context implies a curated selection of works and artists, offering a focused overview of the subject matter.