This volume documents the ZERO art movement, a significant post-war avant-garde collective. Published in conjunction with major international exhibitions, this book explores the contributions of 45 artists associated with the ZERO network. It moves beyond the most recognized figures like Mack, Piene, Uecker, Klein, and Fontana to highlight the work of lesser-known artists such as Goepfert, Holweck, and Salentin. With approximately 200 objects featured, it serves as a comprehensive resource on this influential international movement.

This catalogue accompanies major international exhibitions of the ZERO art movement, indicating its significance within art historical discourse. The book's scope, encompassing 45 artists and around 200 objects, suggests a thorough and scholarly approach to the subject. Its focus on both foundational and lesser-known figures points to an effort to provide a comprehensive and nuanced understanding of the movement's impact. The collaboration with major museums like the Guggenheim and Stedelijk further solidifies its standing as a key resource for scholars and enthusiasts of post-war avant-garde art.