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The Russian Kurosawa Offers A New Historical Perspective On The Work Of The Renowned Japanese Film Director Akira Kurosawa. It Uncovers Kurosawa's Debt To The Intellectual Tradition Of Japanese-russian Democratic Dissent, Reflected In The Affinity For Kurosawa's Worldview Expressed By Such Russian Directors As Grigory Kozintsev And Arseny Tarkovsky. Through A Detailed Discussion Of The Russian Subtext Of Kurosawa's Cinema, Most Clearly Manifested In The Director's Films Based On Dostoevsky, Tolstoy, Gorky, And Arseniev, The Book Shows That Kurosawa Used Russian Intertexts To Deal With The Most Politically Sensitive Topics Of Postwar Japan. Locating The Director In The Cultural Tradition Of Russian-inflected Japanese Anarchism, The Book Challenges Prevalent Views Of Akira Kurosawa As An Apolitical Art House Director Or A Conformist Studio Filmmaker Of Muddled Ideological Alliances By Offering A Philosophically Consistent Picture Of The Director's Participation In Post-war Debates On Cultural And Political Reconstruction-- Provided By Publisher.
This book investigates the intellectual and political connections between Akira Kurosawa’s cinema and the Russian literary and cultural tradition. The authors, V. Solovieva and Olga Oup, challenge the perception of Kurosawa as an apolitical filmmaker by analyzing his engagement with Russian democratic dissent. They argue that Kurosawa utilized Russian intertexts to navigate the complex political landscape of postwar Japan, positioning him within a tradition of Japanese-Russian anarchism.
What You Will Find
Scope Limits
Scholars and film historians recognize this work as a significant contribution to the study of cross-cultural influences in cinema. Readers frequently note the academic density of the prose, which provides a rigorous framework for understanding Kurosawa’s ideological motivations.
Page Count:
0
Publication Date:
2022-01-01
ISBN-10:
0192690833
ISBN-13:
9780192690838
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