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Artists like Botticelli, Holbein, Leonardo, Dürer, and Michelangelo and works such as the Last Supper fresco and the monumental marble statue of David, are familiar symbols of the Renaissance. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were women artists and patrons also involved? And what about the "minor" pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This Very Short Introduction answers such questions by considering both famous and lesser-known artists, patrons, and works of art within the cultural and historical context of Renaissance Europe. The volume provides a broad cultural and historical context for some of the Renaissance's most famous artists and works of art. It also explores forgotten aspects of Renaissance art, such as objects made for the home and women as artists and patrons. Considering Renaissance art produced in both Northern and Southern Europe, rather than focusing on just one region, the book introduces readers to a variety of approaches to the study of Renaissance art, from social history to formal analysis.
This book investigates the multifaceted nature of Renaissance art by questioning the traditional focus on canonical masters and exploring the broader social, cultural, and gendered contexts of the period. Geraldine A. Johnson, an expert in the history of art, utilizes a diverse range of historical evidence to challenge the narrow perception of the Renaissance. She argues that a comprehensive understanding of the era requires examining both monumental works and everyday objects, as well as the contributions of women and patrons beyond the famous male artists.
What You Will Find
Scope Limits
Experts and readers frequently note that this text serves as a highly accessible yet academically rigorous entry point for students and enthusiasts. The prose is praised for its ability to synthesize complex art historical debates into a concise and readable format.
Page Count:
157
Publication Date:
2005-07-28
Publisher:
Oxford University Press
ISBN-10:
0192803549
ISBN-13:
9780192803542
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