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Public interest in modern art continues to grow, as witnessed by the spectacular success of the Tate Modern in London and the Bilbao Guggenheim. Modern Art: A Very Short Introduction engages general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. The book focuses on interrogating the idea of "modern" art by asking such questions as: What makes a work of art qualify as modern, or fail to? How has this selection been made? What is the relationship between modern and contemporary art? Is "postmodernist" art no longer modern, or just no longer modernist? In either case, why--and what does this claim mean, both for art and the idea of "the modern?"Cottingham examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed (1999). He also looks at the role of the dealer from the main Cubist art dealer Kahnweiler, to Charles Saatchi.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam
This book investigates the definition and historical trajectory of modern art by questioning the criteria used to categorize works as modern or modernist. David Cottington, a scholar of modern art history, utilizes a critical framework to examine how institutional, commercial, and social forces shape the canon of modern art. He argues that the concept of the modern is not a static label but a shifting construct influenced by dealers, critics, and public reception.
What You Will Find
Scope Limits
Readers frequently note the academic density of the prose, which balances historical context with theoretical inquiry. Experts highlight this as a foundational text for beginners seeking to understand the institutional and social mechanisms behind modern art history.
Page Count:
152
Publication Date:
2005-05-26
Publisher:
Oxford University Press
ISBN-10:
0192803646
ISBN-13:
9780192803641
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