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Here is a marvelous collection of plays from the English Renaissance period, offering prime examples of the "domestic drama" genre that first appeared around 1590. These four pioneering works, set in near-contemporary England and concerned with issues of marriage and crime rather than war and power, focus on the lives of ordinary people, instead of kings and queens and politicians. Arden dramatizes a notorious murder case of forty years earlier, in which a wealthy husband was killed by his wife and her lover. In A Woman Killed with Kindness, a wife is caught by her husband in bed with his best friend. The Witch of Edmonton combines a true-life story of witchcraft with a fictitious tale of bigamy and wife-murder, and The English Traveller deals with the unexpected changes people find when they return home after a lengthy absence. Part of the Oxford English Drama series, this edition has modern-spelling, critical introductions, wide-ranging notes, a chronology of the plays, and appendices that address the question: who wrote Arden of Faversham and when did Thomas Heywood write The English Traveller.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
This collection presents four seminal domestic dramas from the English Renaissance that shift the focus from royal intrigue to the moral and social crises of ordinary households. These plays examine the consequences of infidelity, murder, and social transgression within the framework of near-contemporary English life. The narrative structures vary from historical reenactment to moralistic tragedy, utilizing the conventions of Elizabethan and Jacobean theater to explore the private lives of common citizens. Each work functions as a critique of domestic stability, testing the limits of forgiveness and the weight of public reputation.
Readers and scholars frequently highlight this collection as an essential entry point for understanding the shift toward domestic realism in early modern drama. Discussion often centers on the stark contrast between these plays and the more common heroic tragedies of the era, noting how the focus on ordinary people creates a distinct sense of intimacy. Critics often point to the effectiveness of the plays in humanizing complex moral dilemmas, particularly regarding the themes of betrayal and social judgment. The inclusion of critical introductions and notes is consistently praised for providing necessary historical context that aids in interpreting the nuances of the period's language and social norms. Readers generally find the pacing of these works to be deliberate, allowing for a thorough examination of character motivations within the domestic setting.
Page Count:
344
Publication Date:
2008-06-02
Publisher:
Oxford University Press
ISBN-10:
0192829505
ISBN-13:
9780192829504
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