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Mention "British cinema" and Hammer horror films or Ealing comedies are frequently all that come to mind. Although there has been no sustained film movement in Britain akin to the French New Wave or Italian Neo-Realism, there is a rich diversity of talent among contemporary British filmmakers that rarely receives the attention it deserves. This collection of essays and in-depth interviews examines the careers and aspirations of ten directors--Stephen Frears, Ken Loach, Lindsay Anderson, Bill Forsyth, Peter Greenaway, Derek Jarman, Nicolas Roeg, Richard Attenborough, Alan Parker, and John Schlesinger. The book looks at their different styles and techniques, their influences, their attitudes toward working with actors and raising money, and their relationships with their audiences. Take Ten offers revealing insights into the working methods and tastes of these important directors. It will be essential reading for all interested in British and contemporary film.
This book investigates the diverse creative landscape of contemporary British cinema by examining the careers and methodologies of ten prominent directors. Authors Jonathan Hacker and David Price utilize a collection of essays and in-depth interviews to analyze how these filmmakers navigate the unique challenges of the British film industry. The text explores the intersection of artistic vision, financial constraints, and the practical realities of production within a national cinema that lacks a singular, unified movement.
What You Will Find
Scope Limits
Critics and film scholars recognize this work as a valuable resource for understanding the individual working methods of significant British directors. Readers frequently note that the interviews provide a practical look at the industry that is often missing from more theoretical film texts.
Page Count:
448
Publication Date:
1992-04-02
Publisher:
Oxford University Press
ISBN-10:
0192852515
ISBN-13:
9780192852519
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