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Shakespeare's plays were immensely popular in their own day -- so why do we refuse to think of them as mass entertainment? In Pleasing Everyone, author Jeffrey Knapp opens our eyes to the uncanny resemblance between Renaissance drama and the incontrovertibly mass medium of Golden-Age Hollywood cinema. Through fascinating explorations of such famous plays as Hamlet, The Roaring Girl, and The Alchemist, and such celebrated films as Citizen Kane, The Jazz Singer, and City Lights, Knapp challenges some of our most basic assumptions about the relationship between art and mass audiences. Above all, Knapp encourages us to resist the prejudice that mass entertainment necessarily simplifies and cheapens whatever it touches. As Knapp shows, it was instead the ceaseless pressure to please everyone that helped generate the astonishing richness and complexity of Renaissance drama as well as of Hollywood film.
This book investigates the historical and cultural parallels between Renaissance drama and Golden-Age Hollywood cinema to challenge the assumption that mass entertainment inherently lacks artistic complexity. Jeffrey Knapp, a professor of English, utilizes a comparative framework to analyze how the commercial necessity of appealing to broad, diverse audiences served as a catalyst for creative depth rather than a mechanism for artistic dilution. By examining the structural and thematic similarities between these two distinct eras, the author argues that the pressure to please a mass audience fostered innovation in both theater and film.
What You Will Find
Scope Limits
Scholars and critics frequently cite this work for its ability to bridge the gap between early modern literary studies and film theory. Readers often note the academic density of the prose, which provides a rigorous intellectual defense of popular art forms.
Page Count:
309
Publication Date:
2016-01-01
Publisher:
Oxford University Press
ISBN-10:
0190634081
ISBN-13:
9780190634087
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