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Michael Kelly (1762 1826) was an Irish singer and composer who studied music in a Naples conservatory before touring Europe and performing for royalty. His voyage to Italy began with a brush with pirates, one of whom was a childhood acquaintance. Kelly also found himself stranded penniless in Venice, spent a night in prison after a fist fight at the theatre, and had a narrow escape from revolutionary France. He is probably best remembered for creating the roles of Don Basilio and Don Curzio in the first performance, in 1786, of Mozart's Le Nozze di Figaro, of which he describes the rehearsal period and reception. He later joined London's Theatre Royal as both a performer and composer and opened a music shop, which went bankrupt. These memoirs, published in 1826, cover an extraordinary life during turbulent times but also provide rich first-hand insights into a key period in theatre history.
This work investigates the life and professional trajectory of Michael Kelly, an 18th-century Irish musician and composer, to document the cultural and political climate of European theatre during the late Enlightenment. Kelly, writing from the perspective of his later years, utilizes his personal experiences as a performer and composer to provide a primary account of the operatic world. He frames his narrative around his extensive travels across Europe, his interactions with prominent figures like Mozart, and the volatile social conditions of the era.
What You Will Find
Scope Limits
Historians and musicologists frequently cite this text as a foundational primary source for understanding the practical realities of 18th-century operatic production. Scholars note that while the prose is anecdotal, it offers invaluable context for the social status and daily life of musicians during this period.
Page Count:
396
Publication Date:
1975-01-01
Publisher:
Oxford University Press
ISBN-10:
0192554174
ISBN-13:
9780192554178
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