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The title of this piece is taken from the fourth verse of a poem called 'Vertical Spaces' by Colin Johnson. The piece is demanding for the performer, who has to both adhere to Finnissy's detailed instructions, and has a certain amount of freedom to interpret the occasional bars of graphic score. There are dramatic changes of tempo and overall the piece is to sound 'boisterous'.The piece was commissioned by CoMA for the 'Open Score' project.
This work investigates the technical and interpretive challenges inherent in performing contemporary musical compositions that blend precise notation with graphic score elements. Composer Michael Finnissy provides a framework for performers to navigate complex rhythmic structures while maintaining the boisterous character required by the score. The piece serves as a study in balancing rigid adherence to detailed instructions with the creative freedom afforded by non-traditional notation. It was developed as part of the Open Score project to explore the boundaries of performer agency.
What You Will Find
Scope Limits
Experts in contemporary music highlight this piece as a significant challenge for performers due to its demanding tempo shifts and interpretive requirements. Musicians frequently note that the work requires a high degree of technical proficiency to successfully synthesize the graphic and traditional elements.
Page Count:
16
Publication Date:
2008-06-26
Publisher:
Oxford University Press Music
ISBN-10:
019335988X
ISBN-13:
9780193359888
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