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He was a skinny kid, just twenty-six when it started, with a face set off by a large nose that gave him the look of a hawk. He was a tight man. Everything about him was close and quiet; his gestures were short and clean, with no wasted movement. His eyes were bright and hard, the kind of blue you might see in the sky at high noon, if you looked straight up at the sky; almost white, but still pale, pale blue. He had dark yellowish circles under his eyes that rested on his cheekbones where the skin was drawn tight, as if he might have liver trouble from too much drinking, but he was physically sound and the circles came from playing stud poker all day and all night for many years.He had been playing in the back room of Hoban’s Pool Room and Poker Parlor since Monday at 4 p.m. It had started out as fooling around and then, as happened so many times, it developed into a game. The others began to drop in and a gig was working. It was nickel-and-dime stuff as long as it was The Kid and The Shooter and Pig, but when Carey and Carmody came in, both of whom bet the Cardinals and had won nicely over the weekend double-header, the play moved, deceptively, from nickel-and-dime to a quarter and a half and then wide open. It was Wednesday now, eleven in the morning. The game, like an endlessly circling bird, moved with a slow inexorable pace toward the center pot of money that grew magically with each dealt hand; revolving hands of cards, accompanied with a musical comment of silver upon silver tossed into the center of the table as the chant was heard, so soft as to be a litany calling on ghostly assistance and deliverance. “Queens bet.” “A half.” “In.” “Kicking it a half.” “And another half.” “And a half more.” “Buck and a half to me, and a half more.” The ritual quickened. It was the fourth card. Now the whisper and flutter of paper money would wash into the middle of the table. Someone dealt. The cards sliced through the smoky airless room like silent stealing death. And with
The central conflict arises from a high-stakes, multi-day stud poker game that tests the limits of the protagonist's skill and endurance. The Kid, a focused and disciplined gambler, finds himself locked in an escalating contest against seasoned opponents in a smoke-filled parlor. As the stakes shift from casual to professional, the narrative tracks the physical and psychological toll of the game. The story utilizes a third-person limited perspective to emphasize the protagonist's internal calculation and the rigid, ritualistic nature of the poker environment.
Readers frequently highlight the novel's ability to capture the intense, almost hypnotic atmosphere of a long-running poker game. Discussion often centers on the stark, minimalist prose style that mirrors the protagonist's own disciplined and quiet nature. Critics note that the book succeeds by focusing on the mechanics of the game rather than relying on excessive melodrama. The narrative is often praised for its authentic portrayal of the gambling subculture during the mid-twentieth century. Many readers find the characterization of The Kid to be a compelling study in obsession and professional detachment.
Page Count:
96
Publication Date:
1979-12-01
Publisher:
Oxford University Press
ISBN-10:
0194242080
ISBN-13:
9780194242080