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Part I: Starters -- No End Of Jokes: The Lies Of The Land, Evolving Jokes, Folk Journalism, Favorite Incongruities -- A Harmonious Human Multitude: Franklin: Muddied Giant, Teachers, Varied Masks, Franklin's Monsters--and Some Offspring -- Cast Typing: John Wesley Jarvis, Storyteller, Mike Fink, David Versus Davy, Davy Versus Captain Fear Of Hell's Gulch, Davy Ii, Davy Iii, And Mose -- Part Ii: The Golden Age Of American Humor -- A National Phenomenon: Oppositions, Ichabod And Rip -- The Reputables: To Laugh Newenglandly, The Yankee And The Major -- Subversives: The Profile Of A Prude, A Gallery Of Rogues -- Two Masterpieces: The Big Bear Of Arkansas, Sut Lovingood And The End Of The World -- Tall Tales Go West: The Last Frontier -- Derby, Alter Egos: Phoenix And Squibob, Jim Bridger And William Wright -- Part Iii: And The War Came -- Changes In Jokelore: Twilight Of The Comic Demigods, The Local Colorists -- Phunny Phellows: Charles Farrar Browne/ Artemus Ward, Shaw, Locke, And Smith -- Part Iv: Mark Twain -- Mark Twain's Chestnuts: The Jokes That Never Die, Eiron And Alazon, The Art Which The Teller Puts Into The Telling, Mark Twain's Other Masterpiece -- Mark Twain Pioneers: Eirons In The Fire, Nightmares And Silences -- Part V: Into The Twentieth Century -- The Turn Of The Century, 1895-1905: Another Transitional Period, Some Urban Humorists -- Between The Wars: Mass Production Comic Demigod, The Lunatic Fringe: Colyumnists And Algonquin Wits, The New Yorker, Benchley And Perelman, White And Thurber, The Secret Life Of Walter Mitty -- Modern Humor: Humor In Fiction, The Great American Novel, Up From The Underground, Cinema, Cartoon, And Stand-up Comic. Walter Blair, Hamlin Hill. Includes Index. Bibliography: P. 531-546.
This work investigates the evolution of American humor as a distinct cultural phenomenon, tracing its development from colonial folk traditions to the sophisticated satire of the twentieth century. Walter Blair and Hamlin Hill, both esteemed scholars of American literature, utilize a comprehensive historical framework to analyze how comic tropes, archetypes, and storytelling styles reflect the shifting social landscape of the United States. By examining primary source materials, including folk tales, journalism, and literary fiction, the authors argue that American humor serves as a vital mirror for the nation's identity and its internal contradictions.
What You Will Find
Experts and scholars frequently cite this text as a foundational resource for understanding the trajectory of American comic literature. Readers often note the academic rigor and depth of the research, which provides a comprehensive overview for students of American cultural history.
Page Count:
559
Publication Date:
1978-01-01
Publisher:
Oxford University Press
ISBN-10:
0195023269
ISBN-13:
9780195023268
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