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Here is the third volume in Gerald Bordman's acclaimed survey of American non-musical theatre. It deals with the seasons 1930-31 through 1968-69, a period which saw the number of yearly new plays decline at the same time as American drama fully entered the world stage and became a dominant presence. With works like Eugene O'Neill's Long Day's Journey Into Night, Tennessee Williams's A Streetcar Named Desire, Arthur Miller's Death of a Salesman, and Edward Albee's Who's Afraid of Virginia Woolf?, American theatre finally reached adulthood both dramatically and psychologically. A number of distinguished theatrical careers reached their zenith during these years, including those of Alfred Lunt and Lynn Fontanne, Helen Hayes, Katharine Cornell, and Henry Fonda. And as many brilliant theatrical careers were launched, among them those of Julie Harris, Jessica Tandy, Hume Cronyn, Jason Robards, Uta Hagen, and Geraldine Page. This volume chronicles every Broadway production as well as every major off-Broadway show as its coverage extends into the 50s and 60s. Noted theatrical historian Gerald Bordman moves from play to play and from season to season, offering plot summaries, production details, the names of directors, leading players and roles, as well as quotes from drama critics and any special or unusual aspects of individual shows.
This volume investigates the evolution of American non-musical theatre from the 1930-31 season through 1968-69, documenting its maturation into a globally significant artistic force. Gerald Bordman, a respected theatrical historian, utilizes a chronological framework to analyze the transition of American drama from a burgeoning industry to a sophisticated psychological medium. By examining the output of major playwrights and the careers of iconic performers, the text argues that this era represents the definitive coming-of-age for the American stage.
What You Will Find
Experts and researchers frequently cite this work as a foundational reference for the study of mid-twentieth-century American drama. The text is noted for its meticulous attention to detail and its utility as a primary resource for tracking the professional trajectories of major theatrical figures.
Page Count:
464
Publication Date:
1995-09-21
Publisher:
Oxford University Press
ISBN-10:
0195090780
ISBN-13:
9780195090789
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