
Modern scholars have followed Aristotle in noting the importance of philia (kinship or friendship) in Greek tragedy, especially the large number of plots in which kin harm or murder one another. More than half of the thirty-two extant tragedies focus on an act in which harm occurs or is about to occur among philoi who are blood kin. In contrast, Homeric epic tends to avoid the portrayal of harm to kin. It appears, then, that kin killing does not merely occur in what Aristotle calls the "best" Greek tragedies; rather, it is a characteristic of the genre as a whole. In Murder Among Friends, Elizabeth Belfiore supports this thesis with an in-depth examination of the crucial role of philia in Greek tragedy. Drawing on a wealth of evidence, she compares tragedy and epic, discusses the role of philia relationships within Greek literature and society, and analyzes in detail the pattern of violation of philia in five plays: Aeschylus' Suppliants, Sophocles' Philoctetes and Ajax, and Euripides' Iphigenia in Tauris and Andromache. Appendixes further document instances of violation of philia in all the extant tragedies as well as in the lost plays of the fifth and fourth centuries B.C.E.
This book investigates the structural and thematic significance of philia, or kinship-based friendship, as the primary site of conflict and violence within the corpus of Greek tragedy. Elizabeth S. Belfiore, a scholar of classical literature, argues that the frequent depiction of kin-killing is not merely a plot device for the "best" tragedies, but a defining characteristic of the genre itself. By contrasting the tragic focus on domestic violence with the relative avoidance of such themes in Homeric epic, she establishes a framework for understanding how Greek playwrights utilized the violation of familial bonds to generate dramatic tension and explore societal values.
What You Will Find
Scholars recognize this work as a rigorous contribution to the study of Greek dramatic structure and the evolution of tragic themes. The text is noted for its meticulous cataloging of primary sources and its clear, academic approach to the intersection of social ethics and theatrical performance.
Page Count:
304
Publication Date:
2000-01-01
Publisher:
Oxford University Press
ISBN-10:
019535124X
ISBN-13:
9780195351248
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