This book examines the central themes of Marino Marini's sculptural oeuvre: his iconic horses and riders, and his depictions of the female form. The publication delves into the evolution and critical reception of Marini's equestrian works, from their controversial debut at the Venice Biennale to their later expressionist interpretations. It also explores Marini's connections with his London dealer, the Hanover Gallery, and how his art was received in England during the 1950s. The book serves as a catalogue for an exhibition held at Robilant+Voena in London in 2018.

This catalogue accompanies an exhibition dedicated to Marino Marini's significant contributions to post-war Italian sculpture, focusing on his renowned horses and female nudes. The essays by Flavio Fergonzi and Barbara Cinelli provide scholarly insights into the evolution of his equestrian themes and his engagement with the London art scene. The book documents the critical reception of his work, particularly in England, highlighting its impact and significance. It offers a comprehensive look at key aspects of Marini's artistic output as presented in the 2018 London exhibition.