This book investigates the historical and theoretical underpinnings of portraiture as an artistic and cultural practice. Brilliant, a distinguished art historian, draws upon a wide range of visual examples and critical discourse to explore how portraits have been created, interpreted, and utilized across different eras and societies. The work examines the complex relationship between the depicted subject, the artist, and the viewer, considering the social, political, and psychological dimensions inherent in the act of representation.

Richard Brilliant's 'Portraiture' is recognized as a significant contribution to the study of art history and visual culture. Scholars often cite its comprehensive scope and rigorous theoretical engagement, noting its ability to synthesize complex ideas into a coherent framework. The book is frequently recommended for its insightful analysis of how portraits function beyond mere likeness, delving into their roles in identity formation and social commentary. Its detailed examination of historical examples alongside theoretical perspectives makes it a valuable resource for both students and specialists in the field.