This publication examines the multifaceted work of contemporary artist Nathan Coley, focusing on his engagement with history, art history, and politics. The book offers an in-depth exploration of three pivotal sculptural pieces: 'The Lamp of Sacrifice, 286 Places of Worship, Edinburgh 2004', 'Paul', and 'Tate Modern on Fire'. Through a newly commissioned text by Ewan Morrison, the publication delves into the complexity and ambiguity inherent in Coley's artistic practice, utilizing diverse narrative forms to highlight the personal responses his work evokes.

This publication is presented as a comprehensive survey of Nathan Coley's significant sculptural works, offering critical insights into his engagement with complex themes. The inclusion of a commissioned text by Ewan Morrison suggests an approach that integrates literary and analytical perspectives to explore the artist's practice. The focus on specific, impactful pieces indicates a curated selection designed to illuminate Coley's contribution to contemporary art. The detailed discussion of 'Tate Modern on Fire' for the first time points to new scholarship within the text.