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This volume includes three novellas by Rabindranath Tagore, who remains the greatest influence on Bengali language and literature today. The first novel, Nashtanir ('Broken Home'), was published in 1903; after a gap of three decades, Dui Bon ('Two Sisters') and Malancha ('The Garden and the Gardener') were published in 1933 and 1934 respectively.In these three works, Tagore depicts the plight of Charulata, Urmimala, and Sarala by placing them in a new world where they are perceived as rational and desiring subjects constrained by domestic norms. Forbidden relationships mark the central narrative of Nashtanir, Dui Bon, and Malancha. While Nashtanir portrays love between an elder sister-in-law and a younger brother-in-law, Dui Bon deals with the relationship between an elder brother-in-law (sister's husband) and sister-in-law (wife's sister). In Malancha, we have an affair between a married man and a distant cousin who comes to look after his wife and the garden that he and his wife had tended. In all three works, however, ultimately the bond of marriage wins and remains, at least technically, unbroken. But an incessant desire to express their voice outside the four walls, a sense of mental void due to marital obligation, and an illegitimate longing for an extra-marital love bind our protagonists (Charulata, Urmimala, and Sarala) in a common thread and form a unique sisterhood. There is also the understated theme of the emergence of the 'new woman'-a woman with personality and thoughts of her own.Translated by Sukhendu Ray, this collection also includes an insightful Introduction by eminent historian and cultural critic, Bharati Ray.
The central conflict arises when the protagonists find their personal desires and intellectual identities clashing with the rigid expectations of their domestic lives. Each novella follows a woman—Charulata, Urmimala, or Sarala—as she navigates the emotional tension of an illicit attraction that threatens the stability of her marriage. These narratives operate within the constraints of early 20th-century Bengali society, where the domestic sphere serves as both a sanctuary and a prison. The prose examines the internal psychological shifts of these women as they attempt to reconcile their need for autonomy with the societal mandate of marital fidelity.
Readers and critics frequently highlight these novellas as essential studies of the evolving female identity in Tagore's work. Discussion often centers on the subtle ways the author portrays the mental void experienced by women confined to domestic roles. The pacing is noted for its deliberate, character-driven nature, prioritizing internal monologue over external action. Many observers appreciate how the collection maintains a consistent thematic thread regarding the emergence of female personality. The translation is often praised for preserving the nuance of the original Bengali while making the complex social dynamics accessible to a broader audience.
Page Count:
224
Publication Date:
2011-02-01
Publisher:
Oxford University Press
ISBN-10:
0198068883
ISBN-13:
9780198068884
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