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What is the difference between a natural beginning and the beginning of a story? Some deny that there are any beginnings in nature, except perhaps for the origin of the universe itself, suggesting that elsewhere there is only a continuum of events, into which beginnings are variously "read" by different societies. This book argues that history is full of real beginnings but that poets and novelists are indeed free to begin their stories wherever they choose. The ancient poet Homer laid down a rule for his successors when he began his epic by plunging in media res, "into the midst of things." Later writers, however, persistently play off the natural beginning: Genesis or the birth of a child. Meanwhile, the inspiring Muse of epic gives way to the poet's ego, dies, revives, and dies again.
This book investigates the fundamental distinction between natural beginnings and the constructed, artistic openings employed by poets and novelists throughout literary history. A. D. Nuttall, a distinguished scholar of English literature, examines how authors navigate the tension between the perceived continuity of events and the deliberate act of starting a narrative. By analyzing the evolution of the epic tradition and the subsequent development of the novel, Nuttall argues that while history may lack definitive starting points, the literary imagination possesses the unique freedom to initiate stories at any chosen moment.
What You Will Find
Scholars and students of literary theory frequently cite this work for its insightful exploration of narrative structure and the evolution of the epic form. Experts highlight the text as a sophisticated contribution to the study of poetics, noting its ability to bridge the gap between classical tradition and modern novelistic practice.
Page Count:
272
Publication Date:
1992-05-14
Publisher:
Clarendon Press
ISBN-10:
0198117418
ISBN-13:
9780198117414
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