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Thomas Middleton (1580-1627) was a writer of great versatility, and his career as a London dramatist spans the most productive, innovative, and exciting period of theatrical activity in the history of English drama. Best known for his tragedies, he also wrote many successful comedies of city life. This volume offers the best of these comedies: A Mad World, My Masters; Michaelmas Term; A Trick to Catch the Old One; No Wit, No Help Like a Woman's.
These plays center on the chaotic social maneuvering and financial desperation of London citizens during the Jacobean era. Middleton presents a series of protagonists who navigate the rigid social hierarchies of 17th-century London through deception, wit, and elaborate schemes. The primary forces opposing these characters are the restrictive moral codes of the time, the greed of their peers, and the constant threat of social ruin. The narrative framework utilizes the conventions of city comedy, employing rapid-fire dialogue and intricate plot twists to expose the hypocrisy of the urban elite. Each play functions as a satirical examination of human ambition within a world defined by shifting fortunes and transactional relationships.
Discussion often centers on Middleton's cynical yet precise observation of human behavior within the urban environment. Readers frequently highlight the complexity of his plots, noting how he manages to balance farce with a biting critique of contemporary social structures. Critics often emphasize the technical skill required to maintain the pacing of these comedies while delivering sharp commentary on greed and social aspiration. The collection is widely regarded as a significant representation of the city comedy genre, providing insight into the theatrical landscape of the early 17th century.
Page Count:
464
Publication Date:
2099-11-30
Publisher:
Oxford University Press
ISBN-10:
0198121695
ISBN-13:
9780198121695
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