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Beethoven's Thirty-Three Variations on a Waltz by Diabelli, his longest and most complex piece for piano, stands beside the Ninth Symphony, the Missa Solemnis, and the late quartets as one of the monumental achievements of his last period. In this first extended study of these variations, William Kinderman investigates their compositional origins and explores them in the context of Beethoven's other works of this time. Kinderman shows how the composer transforms, parodies, and ultimately transcends Diabelli's commonplace waltz in a fascinating series of historical allusions to other composers in the final variations. Kinderman's discussion provides considerable insight into Beethoven's working methods and illuminates the structure of the finished work, and ultimately the nature of the creative process itself. This new reissue of Kinderman's classic text includes a free CD of his celebrated recording of the Diabelli Variations, described by András Schiff as "a very vivid sounding experience."
How does Beethoven’s Diabelli Variations function as a pinnacle of his late-period compositional mastery and creative evolution? William Kinderman, a noted musicologist and pianist, utilizes primary source sketches and comparative analysis to argue that the variations represent a profound transformation of a simple waltz into a complex, multi-layered work. By situating the piece alongside the Ninth Symphony and the late quartets, the author demonstrates how Beethoven’s working methods evolved to incorporate parody, historical allusion, and structural innovation.
What You Will Find
Experts and musicologists regard this text as a foundational study for understanding the structural complexity of Beethoven’s piano works. Readers frequently note the academic density of the prose, which is balanced by the inclusion of Kinderman’s own performance on the accompanying CD.
Page Count:
220
Publication Date:
1989-12-07
Publisher:
Oxford University Press
ISBN-10:
0198161980
ISBN-13:
9780198161981
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