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The Great War stimulated a sudden growth in the novel industry. Well known writers such as Mrs Humphry Ward and Edith Wharton found themselves jostled by authors like Ruby M. Ayres, Kate Finzi, and Olive Dent. The trauma of the war continued to reverberate through much of the fiction published in the years that followed its inglorious end. Women's Fiction and the Great War challenges current thinking about women's responses to the First World War, questioning, even as it supports, the categorization of 'women's writing'. This volume considers some of the best known, and some of the least known, women writers on whose work the war left its shadow. The writing of some of the most famous modernist women writers - including Virginia Woolf, Katherine Mansfield, and HD - is reassessed as war literature, and the work of long-neglected authors such as Vernon Lee, Frances Bellerby, and Mary Butts is at last given serious attention.
This volume investigates how the First World War fundamentally reshaped the landscape of women's literature and challenges traditional categorizations of war writing. Editors Suzanne Raitt and Trudi Tate assemble a critical analysis that examines the intersection of trauma, gender, and the burgeoning novel industry during and after the conflict. By evaluating both canonical modernist figures and lesser-known authors, the text argues that the war's influence on female writers was far more pervasive and complex than previously acknowledged in historical scholarship.
What You Will Find
Scholars and literary historians frequently cite this work as a vital intervention in the study of early twentieth-century literature. Experts highlight the text for its success in broadening the canon of war literature beyond traditional male-dominated narratives.
Page Count:
304
Publication Date:
1997-06-26
Publisher:
Clarendon Press
ISBN-10:
019818283X
ISBN-13:
9780198182832
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