This book investigates the methodologies and philosophies behind performance art, particularly focusing on its more radical and unconventional expressions.

The book is likely to be regarded as a critical resource for understanding the more challenging aspects of performance art. Its focus on 'guerrilla' tactics suggests an approach that prioritizes direct action and subversion within the art world. The content points to a text aimed at students, artists, and scholars interested in the avant-garde and politically engaged forms of artistic practice.