This book investigates how certain films challenge conventional notions of subjectivity and aesthetics. Leo Bersani, a noted film theorist, examines three distinct films: Jean-Luc Godard's 'Le Mepris', Pedro Almodóvar's 'All About My Mother', and Terrence Malick's 'The Thin Red Line'. The study proposes that these films, through their visual language rather than narrative, offer profound insights into the nature of being and the experience of subjectivity.

This book is regarded as a significant contribution to film theory, offering a unique perspective on how cinema can explore complex philosophical and psychological themes. The author's close readings of the selected films are noted for their depth and insight. The work is likely to appeal to scholars and students of film studies, as well as those interested in aesthetics and subjectivity. It provides a framework for understanding how visual art can articulate profound aspects of human experience.