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Where most of the literature in the psychology of music has focused on the processes involved when listening to music, little has been written about the processes involved in making music. Reissued by popular demand, and for the first time in paperback, Generative Processes: The Psychology of Performance, Improvisation, and Composition brings together leading figures in music psychology to present pioneering studies of the processes by which music is generated. The book looks at the generation of expression in musical performance, the problems of synchrony in ensemble performance, the development of children's song, rehearsal strategies of pianists, improvisational skill in trained and untrained musicians, children's spontaneous notations for music, formal constraints on compositional systems, and compositional strategies of music students. Edited by the leading authority on music psychology, the book will be of great interest to cognitive and developmental psychologists, as well as music educators and musicologists.
This volume investigates the cognitive and developmental mechanisms that underpin the creation, performance, and improvisation of music. Edited by John A. Sloboda, a prominent figure in the field, the book compiles research from leading scholars to address the relative scarcity of literature regarding music production compared to music perception. It provides a structured framework for understanding how musicians translate internal concepts into audible sound through various generative processes.
What You Will Find
Experts recognize this collection as a foundational text for those studying the intersection of cognitive psychology and musicology. Readers frequently note the academic density of the prose, which serves as a primary resource for researchers and music educators alike.
Page Count:
320
Publication Date:
2001-03-22
Publisher:
Oxford University Press
ISBN-10:
0198508468
ISBN-13:
9780198508465
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