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'with Passionate Voice' Gives Modern Singers Of Renaissance Music The Tools To Learn And Master The Art Of 're-creative Singing'. Providing A Much-needed Historically-informed Perspective, Author Robert Toft Discusses The Music Of Composers Ranging From Marchetto Cara To John Dowland In The Context Of Late Renaissance Rhetoric, Modal Theory, And Performance Traditions. Introduction: An Age Of Rhetorical Persuasion -- Part 1. Preparing The Text. Words Appropriately Fitted To The Notes -- Part 2. Elocutio: Fine Words And Music. Every Trope, Every Figure -- Part 3. Pronunciatio: Singing Eloquently And Acting Aptly. The Art Of Vocal Delivery; A Garden Of Embellishment; Action -- Part 4. Passionate Ayres Pronounced. The Prosopopoeia In England; Affetto Cantando And Consort Singing In Italy -- Appendix. Understanding Learned Compositions -- The Addition Of Sharps And Flats. Robert Toft. Includes Bibliographical References And Index.
This work investigates the historical techniques and rhetorical principles required for singers to achieve 're-creative singing' in the context of 16th-century English and Italian vocal music. Robert Toft, a scholar specializing in historical performance practice, utilizes primary source treatises and musical scores to reconstruct the aesthetic expectations of the late Renaissance. He argues that modern performers must move beyond mere note-accuracy to embrace the oratorical delivery and emotional ornamentation that defined the period's vocal tradition.
What You Will Find
Experts in historical musicology identify this text as a foundational resource for singers seeking to bridge the gap between modern notation and period-appropriate performance. Readers frequently note the academic density of the prose, which provides a rigorous framework for understanding the intersection of music and classical rhetoric.
Page Count:
329
Publication Date:
2014-01-01
Publisher:
Oxford University Press,
ISBN-10:
0199382042
ISBN-13:
9780199382040
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