This book investigates the complex relationship between the moving body and the construction of subjectivity in late 20th-century American dance. It examines how choreographic practices, performance aesthetics, and critical discourse from 1986 onwards shaped understandings of identity, gender, race, and politics within the dance world. The author draws upon a range of theoretical frameworks to analyze key choreographic works and their cultural contexts.

This work is recognized for its rigorous theoretical approach to understanding dance as a cultural practice that actively shapes and reflects societal notions of selfhood. The book's focus on the specific period of 1986 onwards allows for a detailed examination of how evolving artistic and social landscapes influenced choreographic expression and its reception. It is likely considered a valuable resource for scholars and students in dance studies, performance studies, and American cultural history.