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Distinguished Music Theorist And Composer David Lewin (1933-2003) Applies The Conceptual Framework He Developed In His Earlier, Innovative Generalized Musical Intervals And Transformations To The Varied Repertoire Of The Twentieth Century In This Stimulating And Illustrative Book. Analyzing The Diverse Compositions Of Four Canonical Composers--simbolo From Dallapiccola's Quaderno Musicale Di Annalibera; Stockhausen's Klavierstuck Iii; Webern's Op. 10, No. 4; And Debussy's Feux D'articifice --lewin Brings Forth Structures Which He Calls Transformational Networks To Reveal Interesting And Suggestive Aspects Of The Music. In This Complementary Work, Lewin Stimulates Thought About The General Methodology Of Musical Analysis And Issues Of Large-scale Form As They Relate To Transformational Analytic Structuring. Musical Form And Transformation, First Published In 1993 By Yale University Press, Was The Recipient Of An Ascap Deems Taylor Award.
This work investigates the application of transformational theory to twentieth-century musical compositions to uncover underlying structural relationships. David Lewin, a prominent music theorist, extends the methodology established in his previous research to provide a rigorous framework for analyzing complex modern scores. By focusing on the concept of transformational networks, the author demonstrates how specific musical intervals and transformations function within diverse compositions to create coherent large-scale forms.
What You Will Find
Experts recognize this text as a significant contribution to the field of music theory, particularly for its rigorous approach to post-tonal analysis. Readers frequently note the high level of technical density, making it a foundational resource for advanced students and scholars of musicology.
Page Count:
192
Publication Date:
2007-01-01
Publisher:
Oxford University Press
ISBN-10:
0199724504
ISBN-13:
9780199724505
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