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In the wake of the Asia-Pacific War, Korean survivors of the "comfort women" system-those bound into sexual slavery for the Japanese military during the war-lived under great pressure not to speak about what had happened to them. Hearts of Pine brings us into the lives of three such survivors: Pak Duri, Mun Pilgi, and Bae Chunhui. Over the course of eight years, author Joshua Pilzer worked with these now-elderly women, smoking with them, eating with them, singing and playing with them, trying to understand and document their worlds of song. During four decades of secrecy and the subsequent decades of the "comfort women" protest movement, singing served these women as a means of coping with and expressing their experiences, forging and sustaining identities and social relationships, and recording and conveying their struggles and philosophies of life. Through these intimate portraits, Hearts of Pine illustrates the personal and social power of music vis-à-vis other expressive media, models a humanistic history of modern Korean music, and presents heretofore unrecorded histories of the "comfort women" system and postwar South Korean public culture written in women's song.
This book investigates how music functions as a primary mechanism for coping, identity formation, and historical documentation among Korean survivors of the Japanese military sexual slavery system. Joshua D. J. D. Pilzer, an ethnomusicologist, utilizes eight years of ethnographic fieldwork, including participant observation and intimate interviews, to analyze the lives of three specific survivors. He argues that song serves as a vital expressive medium that transcends traditional historical records, offering a unique window into the postwar experiences and philosophies of these women. By documenting their personal repertoires, Pilzer constructs a humanistic history that bridges the gap between individual trauma and broader South Korean public culture.
What You Will Find
Scholars in ethnomusicology and Asian history recognize this work as a significant contribution to the study of trauma and expressive culture. Readers frequently note the sensitive, immersive nature of the prose, which balances academic rigor with deep respect for the survivors' personal narratives.
Page Count:
212
Publication Date:
2011-01-01
Publisher:
Oxford University Press
ISBN-10:
0199912432
ISBN-13:
9780199912438
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