This volume investigates the foundational histories, methodologies, and socio-political implications of hip hop dance as a global cultural phenomenon. Editors Mary Fogarty and Imani Kai Johnson curate a collection of essays from a diverse group of international practitioners, advocates, and academics. The text establishes a formal framework for analyzing streetdance practices, moving beyond performance to address institutionalization, identity politics, and physical health within the community.

Experts identify this collection as a foundational text for the formal study of hip hop dance, noting its breadth in bridging the gap between academic theory and practitioner experience. Readers frequently highlight the density of the prose and the interdisciplinary nature of the contributions as significant assets for researchers in the field.