
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
This volume investigates the evolution of the American music industry throughout the nineteenth century, focusing on the intersection of technological advancement, commercial growth, and cultural shifts. The author, Russell Sanjek, provides a comprehensive examination of how the business of music transformed from localized printing and publishing into a centralized, monopolistic system. By analyzing the transition from sheet music to the early phonograph era, the text argues that the structural development of the industry was as significant as the music itself in shaping American culture.
What You Will Find
Scope Limits
Scholars and music historians frequently cite this work as a foundational resource for understanding the commercial infrastructure of nineteenth-century American music. Readers often note the dense, research-heavy nature of the prose, which provides a rigorous look at the economic forces that defined the era.
Page Count:
489
Publication Date:
1988-01-01
Publisher:
Oxford University Press
ISBN-10:
0190243295
ISBN-13:
9780190243296
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